Value
orientations and dimensions
Kluckhohn
& Strodtbeck define value
orientations as:
• being complex principles
• resulting
of interaction between three elements:
-Cognitive,
affective, directive
Three assumptions:
– Universal nature of value orientations
– Many
ways of solving problems
– Preferences
in choosing solutions
Five orientations
Five problems common to all human groupings
1. Human nature orientation (goodness or badness of human
nature)
2. Man–nature
orientation (harmony-with-nature/mastery-over-nature)
3. Time orientation (past/present/future)
4. Activity orientation (being, being-in-becoming and doing)
5. Relational orientation (man’s relation to other men)
Trompenaars’
dimensions
Trompenaars
goes beyond the framework of anthropology/sociology
He shows how
the following dimensions affect the process of managing cultures:
– relations with other people
– relations with time
– relations with nature
Trompenaars standpoint:
– Each culture has its own specific
solutions for universal problems
Seven dimensions
1. Universalism versus
particularism
2. Individualism versus
collectivism
3. Neutral versus affective
relationships
4. Specific versus diffuse
relationships
5. Achievement versus ascription
6. Relation to time:
sequential/synchronic
7. Relation to the environment:
inner- versus outer-directed
Relations to
the others
1.
Universalism/particularism: societal versus personal
obligation
2.
Individualism/collectivism (Communitarianism): personal
versus group goals
3.
Neutral/affective relationships: emotional orientation
4.
Specific/diffuse relationships: contract versus contact
5.
Achievement/ascription: legitimating power and status
Relations to
time and the environment
Management dilemmas & dimensions
In practice dilemmas are typically between:
1. Universalism–particularism
– Legal
contracts and loose interpretations
– Low
cost strategies or premium strategy
– Extending
rules or discovering exceptions
2. Individualism–collectivism (Communitarianism)
– Profit
or market share strategy
– Originating
ideas or refining useful products
3. Neutral or affectivity
– Long
pauses or frequent interruptions
– Being
professional or engaged
4. Specific–diffuse
– Data
and codification or concepts and models
– Being
results-oriented or process-oriented
5. Achieved or ascribed status
– Pay
for performance or vindication for worth
Head-hunting or developing in-house
6. Sequential or synchronic time
– Highly
rational, standardised production or just-in-time production
– Keeping
to schedule or being easily distracted
7. Inner or outer directed
– Strategically
oriented or fusion oriented
– Dauntless
entrepreneur or public benefactor
Trompenaars
versus Hofstede dimensions
The
nature of Trompenaars’ dimensions and Hofstede dimensions is very different in
approach:
Trompenaars:
– cultures are more like circles with
‘preferred arcs joined together’
– seen as a ‘model-to-learn-with’
Hofstede:
– linear forms where cultures are
positioned high or low or in the middle
– seeking ‘the perfect model’
Reconciling
cultural dilemmas
• The dilemmas in each of the seven
dimensions require some kind of resolution
• Trompenaars’ methodology aims to
reconcile what appear to be opposing values within the dimensions
• Cultures are seen as ‘dancing’ from
one preferred end of a dimension to another
How does
reconciliation
work?
work?
Reconciliation
results in the integration of values through synergy
There are many ways of achieving synergy:
1. Processing: a dilemma is made into two processes
2. Contextualising: what is text and what is context
3. Sequencing: every process of reconciliation is
a sequence
4. Synergizing: adding the word through between the two opposite alternative orientations
The
reconciliation process
Conclusion
• The
Trompenaars’ dimensions reflect the value-orientation concept proposed by
Kluckhohn and Strodtbeck
• The
cross-cultural manager has to face universal dilemmas, but the way they are
resolved is culturally determined
• Rather
than the dimensions themselves, it is the concept of reconciliation which
distinguishes the work of Trompenaars (and Hampden-Turner) from that of
Hofstede
No comments:
Post a Comment